A delete bin’s worth of autobiographies released over the past decade by ex-punkers who have settled into memoir age hasn’t necessarily made for collective appraisal beyond a garage-tinged look at the sex, drugs, slam-and-roll counter-culture of their youth. Love Minus Zero, Lori Hahnel’s 2008 novel based on her role in Calgary’s first female punk bank, The Virgins, is poignantly different. Set in the late 70s/early 80s First Wave of punk in which fictional all-female Calgary band Misclairo briefly rise, it is a sombre exploration of the personalities that drive counterculture and what happens when the initial energy fades.
Misclairol and associates quickly experience the smoulder-out of their own movement as it provides the kindling for a more violent and less-inclusive hardcore scene. Subsequent forays into reality and adulthood for the band and scensters means an uncomfortable normalcy for some, or following the nihilism to its logical end for others.
Hahnel’s writing style is suitably punk rock, in the First Wave sense. Rather than an anarchic hack at narrative that draws more attention to technique than substance, she uses straightforward, unadorned prose that, like the music, is all about getting to the throbbing heart of the matter.
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