Beautiful Children With Pet Foxes: The Single, by Jennifer LoveGrove, Christine Fellows and John K. Samson
Rich & Poor: The Single, by Jacob Wren and Andrew Whiteman
Vinyl Recordings/MP3 Files
Chaos & Star Records/BookThug Inc.
Serious artistic collaboration between writers and musicians has a rich history in North American popular culture, reaching back at least to Jack Kerouac riffing his poetry in a spontaneous call-and-response jazz improv with saxophonists Al Cohn and Zoot Sims. While that musical partnership served to accentuate an existing text, the goal of BookThug’s new recording imprint is to produce condensed, fresh artistic creations (along with a little commodification) through blending the talents of indie music artists with indie literary writers.
The results are more like “So There”, the B-side to Mercury Rev’s 1993 single, “The Hum Is Coming From Her”. The avant-rockers teamed with poet Robert Creeley to build an amusement park soundscape beneath a flume of Creeley’s wandering words, turning the poem (originally published in 1976) into an entirely new dramatic work.
These two 7-inch singles from Chaos & Star (solid samples from its continuing series) are meant not just to excerpt existing works and touch them up with a soundtrack. Rather, the intention is to grow new self-contained pieces, through a words-and-music-mash-up that creates dynamic meaning in the closed space of a pop song time-limit.
But the most immediate reaction the music will evoke is that it isn’t pop. For example, Beautiful Children with Pet Foxes contains excerpts from LoveGrove’s poetry collection of the same name, set to abstract, ambient sounds that morph the poems into dark lullabies. They will not remind you of John K. Samson’s work with The Weakerthans. The sparse undercurrents feature lightly plucked and bowed strings that gently urge LoveGrove’s slow, deliberate delivery forward, knotting music and words into a series of hypnotic tides; or tapped keys that float through and between the words, buffeting, and occasionally coarsening, the poems.
Rich & Poor moves from sparse, classically influenced music, to a bit of Philip Glass, to industrial stamping that fuels the rage inherent in Jacob Wren’s novel about a man plotting to kill a member of the rich elite in a self-styled revolutionary act. The shift of musical genres paints an aural portrait of class difference, ranging from smooth aesthetics to rhythmic, guttural rage. And that’s just the A-side. The flip plays like an extended remix, one that pumps up the industrial angst while more explicitly underscoring the not-so-simmering anger that is inherent in today’s growing economic divide.
In the playlist ecosystem of the contemporary music industry, the single is king. Similarly, in the information world, the bite-sized chunk is the preferred serving for digestion. Chaos & Star Records isn’t trying to transform literature into a series of playlists or twitter-essays. This format offers a bit of a modern choice for the literary and/or music-minded to consume their art in – even if the vinyl option represents a bit of a hipster throwback.
Flip through the new arrivals here.